Thursday, May 9, 2013

Conference Roundup #1


In the next few days I will be posting some fun, informative posts about my month of cons. And as usual, writers tell a story better than I can. So I hope to introduce you to some fun writers I met this month. First up is a #DFWCon guest post by my new friend Sarah.

10 Things I learned at DFWcon
by
Sarah Bale

10. Take a class that you normally wouldn’t. I took a class about writing for the Chicken Soup for the Soul books this year. As an Erotica Author, this is something that normally wouldn’t be my first pick, but I am glad I took it. It ended up leaving me inspired in so many ways

9. If writing romance, remember there are just some words you should avoid. I took Roni Loren’s romance class and it really got me thinking about the words that should never be used in romance. As Roni said, “The only ‘member’ in your book should be a member of a club!”

8. Be Yourself. This one might sound easy, but I think it’s easy to forget. People want to get to know YOU. J

7.  Have fun. Conferences can be hectic with the networking, classes, and pitching to agents. Just remember to enjoy yourself at the same time.

6. Visit the Vendors. The vendors WANT you to stop by and say hello (and view their products). I ended up getting two books for free to read and write a review on. I also ended up winning a door prize through a vendor, just by stopping to say hello.

5. Bring plenty of cash. Cash is something that people often forget, but you have to remember that not all vendors take cash. Also, there is usually as cash bar at the mixer ;)

4. Social Media. Make your presence known on social media, but don’t be annoying. I went to three different classes and they all said the same thing. Remember, it’s social media… not selling media.

3. Walk Away. In Kelly Simmon’s marketing/PR class, she said something that really stuck with me. Sometimes you may get a bad review or negative comment. You have to WALK AWAY from them. Responding will only fuel the fire.

2. Agents are people, too. Don’t be afraid to say hello to an agent if you see them. They are people, too, and like meeting new people. Just make sure you aren’t following them into the bathroom or interrupting them while they are eating or talking to others.

1. YOLO. The final thing I learned at DFWcon is to seize the moment. The ‘You Only Live Once’ was my motto and it worked for me. J

You can find Sarah on the web at:

Twitter: @Sarah_OKC

Thursday, April 18, 2013


Na na na na na, BAT-TERN! Hee. I crack myself up. Anywho, another month, another entry jam packed with news and announcements.

Louise is a co-host for the 2013 RT American Idol contest and erotica entries are woefully scarce! If you are registered to attend this year’s RT Convention and you have an erotica manuscript, finished or in progress, please consider submitting the first three chapters of your manuscript to the contest before April 24th.

There is another new Team Fury member! Discovered through Pitch Madness, a contest hosted  by Brenda Drake, Lindsey Sprague joined the team on April 15th.

Conference season kicks into full gear for Louise with this weekend’s Washington Romance Writers Retreat. If you want to pitch to Louise, click on the Conference Appearances tab for the events she will be attending. She is still CLOSED to queries (any unsolicited emails will be deleted and no response sent) so scheduling a pitch appointment at an event remains the best way to get your work to her.

For those waiting on a response to a solicited manuscript, the slush has been sorted up to late January 2013. Due to conference season and the fact that Louise’s clients ALWAYS come first, there will likely be a delay before the next wave of emails roll out.

To close up for the month, Louise is happy to share her latest deal announcements!

April 1, 2013
 Digital: Young Adult 
Lindsay Cummings's THE MURDER COMPLEX, an e-novella set in the futuristic world of her debut novel, toVirginia Duncan at Greenwillow, by Louise Fury at L. Perkins Agency (world).


April 15, 2013
 Fiction:
Women's/Romance 
Former porn star Jenna Jameson's fiction debut SUGAR, written with Harlequin author Hope Tarr, about a sexy starlet who thinks she's seen and done it all -- until she meets a man who teaches her otherwise, toJennifer McCartney at Skyhorse, in a pre-empt, for publication in October 2013, by Louise Fury at L. Perkins Agency, in association with Jackie Markham at Resource Media (NA).



Saturday, March 23, 2013

It is true. I have so much to say and am quite the chatterbox, but I try to blog after working hours. My only problem is that I am reading manuscripts during those hours. Lately I have been working as soon as my eyes open and don't stop until I fall asleep. I take my iPad, laptop and cell phone to bed and work from bed with the TV on way past 2 or 3 am. This is not healthy and I am going to spend the summer finding a happy medium, but until then, I have the wonderful "BAT-tern" to keep you guys updated.

And here she is...

(HI!)

It’s your friendly neighborhood Bat-tern here. Louise has some announcements to make.  First off, two amazing deals were announced yesterday:
March 18, 2013
 Fiction:
Women's/Romance 
Sarah Title's APPLE OF MY PIE, a novella about a female food truck owner whose amazing baking skills only come to fruition during the full moon, and the straight-laced accountant who falls in love with her but must deal with the fact the woman of his dreams believes she's cursed, to be published in an anthology headlined by NYT bestselling author Lori Foster, to Alicia Condon at Kensington, by Louise Fury at the L. Perkins Agency.

March 18, 2013
 Children's:
Young Adult 
Francesca Zappia's debut ASK AGAIN LATER, about the ultimate unreliable narrator, a schizophrenic teenage girl unable to tell the difference between reality and delusion who discovers -- thanks to her Magic 8 ball, her little sister and a boy she thought was imaginary -- that sometimes there really is someone out to get you, to Virginia Duncan at Greenwillow, in a good deal, in a pre-empt, by Louise Fury at L. Perkins Agency (World English).

Also, since the last time I posted, Team Fury gained a new member on February 26th. Please welcome Naomi L. Hughes! Naomi was discovered via Pitch Wars and you can read about her journey to Team Fury here.

Now, for a little housekeeping. The Twit-tern has compiled a list of Team Fury members on Twitter. If you’re not on the list, please comment here. The blog roll will also be updated shortly so if you’re missing from there and you have a website, please comment here as well.

Louise has been receiving a lot of emails lately, asking for the status of their manuscript. I’ve been doing my best to get the slush sorted and I’m up to late 2012. Louise needs to take a look and then emails will start rolling out. Please note that her clients come first and they will always take priority over the slush. 

If you want a spot on Team Fury, the best way is to pitch to Louise, either through contests like Pitch Wars/Madness or at conferences. Submissions for Pitch Madness are currently closed, but Louise will be attending the 2013 RT Booklovers Convention on May 1-3 and the DFW Writers’ Conference on May 4-5. To make an appointment with her at either event, check the guidelines at the event you’re interested in attending.

LATE BREAKING UPDATE:  Louise flashed the batsignal in the sky so here I am again with NEWS. Team Fury is delighted to also welcome Katana Collins. She pitched to Louise at the 2013 Liberty States Fiction Writers conference and it became official on March 22nd

Monday, February 18, 2013

A note from my RIGHT HAND


Hello, all!  Allow me to introduce myself. When Super Intern, aka Erica Chapman, moved onto fame and fortune as an associate editor for Entangled Publishing, Louise asked me to step into the heroic void. Thus, the Bat-tern has donned the mantle and sworn to save queries from spam, defeat the specter of bad grammar, and to pluck the awesome from the quagmires of the slush. Also, Batgirl was always my favorite superhero and it’s shorter, which matters on Twitter.

For my inaugural post, Louise asked me to talk a little about Pitch Wars. Pitch Wars is an online writing contest of sorts. There were thirty-seven mentors. Each selected a top pick and two alternates from a very large pool of manuscripts. Each mentor then worked with their top pick so that the manuscript was the very best it can be and helped them formulate a short pitch. The top picks and all the alternates then had their pitch and the first two hundred and fifty words of their manuscript posted on the hosting blogs. The participating agents got first crack on the top picks, but Pitch Wars coordinator extraordinaire, Brenda Drake, kept track of any other agents who wanted the manuscripts for when Pitch Wars ended. The alternates could be requested by anyone.

Louise loves these types of contests. It's why she's closed to queries more often than not because she wants the freedom to request anything that catches her attention, whether it's through a contest like this, a conference, or an intern who lurks in the shadows of Twitter. After accompanying her onto the Pitch Wars battlefield, I can see why she feels this way. All of the Pitch Wars manuscripts were very high quality. There were actually two pitches that I considered to be excellent, but I knew they didn't fit what Louise was looking for.  The authors of those pitches later signed with other agents.

Pitch Wars was set for January 23rd and 24th. At the time, Louise was still in South Africa. There was an eight-hour time difference and her internet connection was VERY sporadic, so my role was that of advanced scout. On the 22nd, we hammered out strategy. I created a template for my scouting reports and filled in as much as I could beforehand. This is why aspiring authors should have websites with excerpts or descriptions of their WIPs, by the way. There were two top picks that I flagged as definite possibles before Pitch Wars even started and Louise ended up requesting materials from both authors. At 8am on the 23rd, Pitch Wars commenced and we entered into battle.

I don't think Louise slept during Pitch Wars. I know I didn't have a life.

There were 37 top picks and 62 alternates, 99 altogether. We read them ALL. One of the participating authors took the time to put together a spreadsheet of how the agent requests broke down. You can download it here. Louise requested the most, 37. Out of those 37, 2 were middle grade, 7 were adult fiction, and the remaining 28 were young adult.
The requested materials began to trickle in almost immediately. Three authors never responded to Louise's request at all and one author was still revising. Louise requested three fulls based on the strength of the partials. All in all, we had 36 manuscripts to evaluate.

Louise is home now and back to grabbing catnaps between bursts of awesome agenting. I still don't have a life.

So why did Louise request those 37? Well, in each pitch, there was something that made it different from everything else. Personal taste entered into it. The pitch had to be something that Louise could fall in love with. I admit she did take my preference into consideration for some, which is why she requested every fairy tale-esque manuscript.  Above all else, though, the opening snippet had to be compelling, forcing Louise to request more so we could read further.

Why didn't Louise request the other 62?  Mainly, it just wasn't what she was looking for. The quality really was amazing, but not everything fit her criteria. Some were too similar to what she already represented, some didn't seem right for New York, and others just weren't what she likes to read.

I feel it worth noting that out of the 37, only 22 were ones that I marked as recommended. 2 were marked as pass and she requested them anyway because something in them resonated with her. The other 13 were ones that I flagged as possibles. They were either manuscripts where I liked the concept, but I was unsure about some other aspect, or they were horror.

Since my idea of horror is when Bambi’s mom gets shot, I believe it’s fairer to all involved if someone else does the in-depth evaluations of horror manuscripts. Sometimes Louise makes me read them anyway and I suspect she uses how far I get into the book as an indicator of how good the book actually is. If the writing’s strong enough to get me to the halfway point and I go to bed with the lights on, it’s a mark in the plus column.

The fact that I consider E.T. a horror movie whereas Louise reads Stephen King before bed, it just shows how subjective this business can be. Sometimes it's really just a matter of persistence, to keep writing and revising and querying until you find the right agent who loves your work as much as you do.

As of right now, I don't think anyone has released any stats how many authors received representation offers as a result of Pitch Wars. I can tell you that out of the 34 authors who sent us materials, five received offers from other agents. As for Team Fury? Well, it was her entry in last year's Pitch Madness that originally got Louise's attention, but her Pitch Wars alternate manuscript sealed the deal. Author Rachael Slate joined Team Fury on February 15. And Louise is still not done going through all the requested manuscripts...

Currently, I am continuing in my never-ending quest to empty the slush email while Louise catches up on her backlog. We want everything to be nice and neat because Louise has agreed to participate in the 2013 Pitch Madness. If you have a completed, polished-until-sparkling, manuscript and Louise is your dream agent, follow Brenda Drake's blog for more details. Submissions will open on March 15th and entries go live for the agents on March 26-28th. Last year's rules are here, but they are subject to change. Good luck!

~K

Thursday, January 24, 2013

NEW SALE



CHILDREN'S: MIDDLE GRADE:

Lindsay Cummings's THE BALANCE KEEPERS, in which an 11-year-old is trained to balance five hidden earthly realms that have fallen into chaos and threaten to destroy the world, to Katie Bignell at Katherine Tegen Books, in a good deal, in a three-book deal, by Louise Fury at L. Perkins Agency for Lindsay Cummings; Peter Rubie at Fine Print Literary Management for PC Studio.